Showing posts with label music video. Show all posts
Showing posts with label music video. Show all posts

Monday, February 28, 2011

Lady Gaga Debuts First Video for Born This Way


GAGA—welcome back to the video world. Now, I imagine a few folks frequenting this blog know Lady Gaga whipped our crew into a tizzy with her new single, "Born This Way." It's been ages since a new, danceable, utterly queertastic anthem burnt through the stereo speakers, and I will be the first to celebrate Our Lady of Gaga for once again busting the closet door off its hinges.

But oh—that video.

Where? Where do I start? I am but one blogette still reeling from the glitz of the Oscars last night (which will earn its own post, just you kiddies wait).

Rather than attempting to explain said video, I will offer this blog space to debut what was hailed as Lady Gaga's first video for "Born This Way." I will offer this comment—I hope video number two turns out a bit more, well, queer-focused. Though, admittedly, an intro featuring a pink triangle with a glittery unicorn is fairly gay…




…Are we queers supposed to be the alien life forms birthed by a Metropolis-esque Gaga Mother Ship? And yes, I noticed the writhing group of ladies in the middle of all that shadowy dancing, but…hmm. Decidedly not hot.

For once, I am quite floored. I know Gaga is "out there," but I didn't think she would be out of the atmosphere with the inherent strangeness, per se. Granted, the inner sci fi nerd loved the tribute to Hollywood's Golden Age of otherworldly film, but I was anticipating a different kind of video. You know, one with awesome queer people in it—preferably making out. Like the song would suggest.

Though, after the confusing "Alejandro" video of last summer, I suppose this lyric/image incongruity is the norm now.

Hmm.

Thoughts? Anyone?

Explanations maybe?

Tuesday, June 8, 2010

Lady Gaga Hijacks The Internet

She needs no introduction.

With two teasers under the belt and another round of speculative first images scattered across the Internet, Lady Gaga has emerged from her half-concealment with the video for her newest single off The Fame Monster (2009), "Alejandro".

First: The Creation.



Second: The Reaction.
  • Open shot: AWESOME. I like me some gender attributes bended. Fishnets and weaponry seems a fine combination.
  • It appears the militaristic pop image has quite returned. First, it was Beyonce with her Totalitarian Lite in Video Phone and her Grammy night performance. Of course, Gaga pushes it to a more extreme angle and offers Fascist Fashion for her own scene.
  • Right, the initial bit of choreography with the gents leaves a clever impact. It's impressive, startling, and tight with a crisp note of fear at the edges. Honest first thought: "Whoa, this is intense with that backlight and the blue tones. Hmm.... I wonder what this looked like at rehearsals with the bright lights, mirrors, and dance clothes. Not so tough, I imagine."
  • GAGA and the Goggles = FLAWLESS. She works the Dieselpunk look to the utter maximum. The stark contrast between the dark lenses and the white glitter of her eye shadow is gorgeous, might I add.
  • I'm sensing a fascination with death throughout her videos. Seems appropriate to charter funeral territory in a music video, now.
  • Who else is expecting sales for pipes to skyrocket after this? I don't even smoke and, well, I am considering it. It could be a rather exquisite paperweight at the office.
  • Where are the hot women for me to ogle? I see a lot of fit, trim gents with bad bowl cuts but this does not fulfill the same requirement. I suppose I got spoiled with the Sapphic overload from Telephone.
  • Yes, I know the lyrics are about more than one gent. But, serious, this is Gaga -- she could figure out where to put a woman or two in a video.
  • I am impressed with the rapid splicing between Lady Gaga in a fetishistic nun outfit and a bunch of back-up dancers writhing on and against beds. I sense there are interpretive layers to this somewhere. I have yet to stumble across them.
  • Note: I dig the short hair on her and I'm not just saying that 'cause I'm a queer woman.
  • Well, alright, perhaps it has a lil' bit to do with being queer.
  • Serious, I can't get over the fact that her dancers have bowl cuts. Bowl cuts? BOWL CUTS. Gaga, do not be responsible for bringing them back.
  • Commence tribute to predecessor, Madonna. It's a delightful nod even while it's a clear statement Gaga's taken the reins and will not be parting with them for some time yet.
  • Second Note: Is it just me, or is there a strange Cabaret vibe to all this? Perhaps it's the Nazi-esque fashion combined with the dance steps. Hmm. Quite.
  • MACHINE GUN BRA. Who needs cones when a lady can leave the house with her chest packin'?
  • Let me go on the record and state: Lady Gaga in dark glasses, a leather jacket, and little else is quite stunnin'.
  • I'm curious to know responses to the gent watching Gaga and her dancers around the 7 minute mark. It's such a complex look. It starts with a mix of disgust and seething anger even while it readjusts into a dark, sinister desire. It seems that moment is meant to be the linchpin of the video, so, naturally, I would like to hear opinions on that one.
Thus concludes the "Alejandro" walkthrough for the evening.

I admit, I have not been wooed by the likes of "Alejandro" -- though, I admit, he's at a vast disadvantage. *Snark*

In all seriousness, the song itself has never appealed to me. I understand where folks are coming from when I stumble across mash-ups of Lady Gaga with Ace of Base. It's not got the same spark to it her other singles have. I can't quite name it. The video, of course, is epic and full of conversation topics to fuel posts for the rest of this week.

But, I turn to you, dear readers -- what say ye? Did she hit the mark once again?

Discuss.


Friday, March 12, 2010

Lady Gaga vs. Beyonce: Round Two

INITIATE WORLD DOMINATION: GO.


Oh, where to start with the comments? I am on sweet Gaga overload. I cannot recall a music video with more hype surrounding it -- I was hooked on the stills from the last month, not gonna lie. Our patience has been rewarded.

Comments:
  • If this is an accurate representation of prison life, then I ought to start committing crimes.
  • 1:09 - Gaga proves the multiple uses of duct tape.
  • Cigarette glasses = Smokin' hot. Heh, puns.
  • Gaga appeases her queer fan base with an epic make-out session with the resident stone cold butch hottie on the yard. So, there -- I am pleased as punch with her efforts thus far. And the song hasn't even started yet.
  • Product placement: WOW. I shudder at the price advertisers would have paid for inclusion in this mini-movie. I laughed when the camera zoomed in on the Virgin Mobile cellphone twice. Just hits you over the head with that one.
  • CAT FIGHT! CAT FIGHTTTTT!! WHITE TANK TOP!! QUEER-LOOKING WOMEN!! LOOP THIS SCCCENEEE!
  • (I know, I am crass and low brow.)
  • 3:18-4:23 - I couldn't hear the music over the sound of my lust. I apologize. In all seriousness, I find it awe-inducing how Gaga can still exude an attitude of complete dominance and control even when she's objectifying herself. It's like she's saying, "Take a real close look 'cause you ain't gettin' it." As I said, awe-inducing.
  • Caution tape wardrobe -- Lady Gaga teaches us that "reuse" is as important as "recycle" and "reduce."
  • Pussy Wagon?? Pussy Wagon. Sweet damn, Pussy Wagon.
  • B-movie turn with the dialogue and the general plot is approved of here at Cute, Queer, Canadian. I mean, you remember the fuss I made with Bitch Slap, correct?
  • After Beyonce's segment in the song, I started realizing this video is not about the music. Perhaps that was blatant from the start, but, it became far more noticeable at this point. I love the song... and yet it is the least important part of the video.
  • Note to Self: Extras in Lady Gaga videos tend to die. Do NOT star in a Lady Gaga video.
  • Lunch lady and glittery lads? Beyonce donning her military gear for the trillionth time? I feel there should be action figures made for this video...
  • Revised Note: Dancers seem to survive the wrath of Gaga. Schedule dance lessons to start next week.
  • Americana garb -- whenever I see it, I wonder what a Canadian version would look like and it makes me laugh. Every time.
  • I quite like the Thelma and Louise end to this video. I'm a little curious about the archaic, full-bodied, Southern-ish dresses donned by Lady Gaga and Beyonce, but -- well, when viewed in the context of the rest of this piece, I am inclined to not give a hoot.
To recap: Mind blown. Will dedicate all clubbing nights to the might of Lady Gaga and Beyonce (though, I don't believe that was ever in question).

I dub this experience well worth the wait.

Thursday, February 25, 2010

A Double Shot of Tegan and Sara

Fans, rejoice -- the Quins return with another off-beat and oh-so-sweet video AND with a fresh, danceable collaboration with Tiësto.

WHAT?? I could hear Tegan and Sara while I'm dancing at 2 AM in a club downtown?!

First things first, ladies.

***

"Alligator," Sainthood (2009)



It's melancholic pop meets Canadian winter playground. Hmm, but the aesthetic of those dance segments looks familiar.... I mean, with the white background and the clothes as a stark contrast..... I could have sworn I've seen a similar look before.....

Hmm.


Tiësto feat. Tegan and Sara, "Feel It In My Bones," Kaleidoscope (2009)



I have to admit, I am loving this collaboration (and this snazzy video). I've had the chance to hear it on a late night drive back from a friend's house and it kicks it at that hour. As I look into Tiësto's album further, it appears he's taken the initiative to collaborate with some stellar Canadian women. Other artists on his album include Nelly Furtado ("Who Wants to Be Alone") and Emily Haines ("Knock You Out"). I will have to give this one a spin -- I have ample evidence of this album's awesomeness.

***

OLYMPIC UPDATE:

YEAAAAAH! Team Canada defends their title and takes home the 2010 gold medal for women's hockey! Three cheers to those golden girls of the rink.

And, P.S. -- Sarah Vaillancourt, the lone out athlete of 2010's Team Canada roster, can add another gold to her collection. All I can add now is, "KYAAAAAAAAA!!"

Wednesday, January 6, 2010

Super Hot AND Super Heroine


Is there anything Alicia Keys cannot accomplish?

I mean, she's the golden child of the R'n'B crowd and continues to garner respect from a diverse group of musicians and music lovers alike; she dedicates time and funds to invaluable social causes across North America and the globe at large; and, as regular readers will note, she has achieved one of the most elite statuses within the Harem of Miz Moffatt.

And then, she releases a queertastic video experience for her latest single, "Try Sleeping With a Broken Heart."

I'm convinced she found out I was a lil' under the weather which led her to create this video:




Some general comments and first impressions:
  • Purple, satin sheets --> *Drool*
  • Is it just me, or did wardrobe intentionally dress her like a gay gal for the first part of this video? I mean, tank top: Check. Dog tags: Check. Rockin', studded jacket: Check. Aviators: Oh, sweet goodness, double check. Tough femmes -- you understand the attraction now, right?
  • "Have you ever tried sleeping with a broken heart? Well, you can try sleeping in my bed" -- No need to ask twice, ma'am.
  • It is a little known fact that Ms. Keys possesses the power to bring creatures back from the dead. I know. Those fingers aren't just magical with the piano, you know.
  • Oh, motorcycle. Again, anyone else seeing those queer connections? Yes? I mean, you just need to tell me she's co-writing a song with Tegan and Sara and my head will explode from it all.
  • PURPLE UNITARD. BRAIN.... SHUTTING DOWN... CAN'T ...CONTINUE.... TO WRITE..... *Enters a lust-induced coma* The woman has kickin' curves, what can I say?
  • Wow, tears that can crush glass? Awesome.
I know the video never adequately explains WHY Alicia Keys commands the Gift of Life. And it doesn't provide details about why she leaps on top of buildings (perhaps to amplify her voice?) but.... well, I don't care. It's implied she's a super heroine and she wears a skin-tight unitard. I don't need further explanation.

Though, I find the inspiration for her character to be intriguing. I mean, she's quite literally the love child of Rogue from X-Men and The Phantom. She got her inability to touch her lover (and thereby drain his life force) from Mama and she got her idea for the bright purple unitard from Papa. Makes perfect sense in a weird, "I don't want to think about this too deeply" kind of way.













Hmm. Whatev. I ask rhetorical questions to amuse myself. Really, I should just press "Repeat" on that embedded video up there.

I suggest you do the same.

Wednesday, December 2, 2009

Folkin' Classic: The Great Canadian Song Quest

It's a project of national proportions. Picture it: Thirteen unique musicians challenged to write a new, original song about one location in one Canadian province/territory.

The catch? Listeners voted for the song content and which artist would pen the next Canadian classic.

CBC Radio 2's Great Canadian Song Quest set out to accomplish all that and more. During the latter half of last month, the songs were released for the public and, I have to say, the ladies are representing on this one.

Out of thirteen artists selected for the project, SEVEN were solo singer-songwriters of the female persuasion. I can't even grasp the words to explain how wonderful, exciting, and brilliant this news is to me. And, as a blogette who worships the ground all the ladies walk on, I am compelled to tune you in to these tracks.

Not a bad way to make up for the Tunes for Tuesdays negligence, am I right?

So, let's start our trip across Canada and introduce you to the female finalists of The Great Canadian Song Quest. Prepare thyself for some folkin' fantastic new tracks (and yes, I mean "folk" as in "Canada has a lot of alt-folk-rock content"):

British Columbia: Oh Susanna, "Tough City" (about Tofino, BC)

She's an alt-country Canadian gal with American roots and a penchant for the poetic. She's got a cinematic quality to her sound that has garnered acclaim within and without these borders. Her latest album, Short Stories, explores the process of finding a fresh start after a sullen stretch of darkness, transforming those negative situations into safer spaces.

Tofino, BC: Tofino is a village located on the west coast of Vancouver Island. With under 2,000 residents in the winter months, Tofino continues to attract escapists year-round to the scenic Long Beach section of the Pacific Rim National Park Reserve and the gorgeous hot springs at Maquinna Marine Provincial Park.

Manitoba: Chantal Kreviazuk, "In Waskada Somewhere" (about Waskada, MB)

She's one of Canada's golden girls when it comes to irresistible, piano-driven music and she's been graced with a voice that balances a delicate vulnerability with a raw, powerful edge. Ms. Kreviazuk earns some major recognition for her participation in the 1998 Lilith Fair music festival where she dominated with her track, "Surrounded." International listeners might recall her cover of "Leaving on a Jet Plane" that was included on the Armageddon soundtrack (come on, I know you remember that movie!)

Waskada, MB: Waskada is yet another small, Canadian village located in the southwestern corner of Manitoba, close to the U.S. border. For the 2006 census, Waskada boasted a population of 199 residents. I'm guessing a track like this might inspire Kreviazuk fans to take a trip or two to the small town for themselves.

Quebec: Martha Wainwright, "Four Black Sheep In The Night" (about The Black Sheep Inn)

Readers, rest assure -- I will profile Martha Wainwright for a future Tunes for Tuesdays post. I love her and her singer-songwriter brass. She is explosive with her language and unapologetic. She's got a voice that cuts close to the heart, especially with the intense and personal tracks from her self-titled debut album. She comes from well-established music roots as the daughter of American folk/blues musician Loudon Wainwright III and Canadian folk singer-songwriter Kate McGarrigle. And, you may have heard of her brother -- does Rufus Wainwright ring a bell?

The Black Sheep Inn: Located in Wakefield, Quebec, The Black Sheep Inn (aka Auberge Mouton Noir) is the award-winning juke joint cabaret that is a living testament to the diverse cultural expression of the belle province itself. At once intimate and legendary, this bar ranks as one of the top ten locations to visit while touring this land of ours.
P.E.I. : Catherine MacLellan, "Singing Sands" (about Singing Sands Beach)

She's the pure, sweet, and poetic voice of the gorgeous Prince Edward Island. In 2008, she was voted as the "Critics Favourite New Discovery" by Penguin Eggs magazine and she has continued to woo a broad collection of listeners across Canada and the globe. Her last album, Church Bell Blues, shot to number one on the Roots Canada iTunes chart and this singer-songwriter shows no signs of slowing down.

Singing Sands Beach, P.E.I.: Located at Basin Head on Prince Edward Island, this beach is well-known for the mystery that lives in the very sand itself. Walking along the white sands produces a sound akin to singing, a phenomenon created by the rounded and spherical quartz found in the grains. Seems as though this location was begging to have a song written about it and MacLellan produces a true gem.

Northwest Territories: Dana Sipos, "Time Before Bones" (about the Tuktoyaktuk Pingos)

She's the lyrical, satirical poet with a tinge of blues and folk in addition to a distinct hip hop, pop, and jazzy swagger. What can I say, she's a musical chameleon. Her music is melancholic and leans toward the dramatic even while its upbeat and swinging. It's undeniable she's got a mysterious edge to her. Perhaps its the cold of the north that crafts such a delicate and subtle sound after all.

Tuktoyaktuk Pingos: Tuktoyaktuk is an Inuvialuit hamlet located in the Inuvik Region of the Northwest Territories. The settlement lies north of the Arctic Circle on the shore of the Arctic Ocean and the name (Tuktoyaktuk) translates roughly to "it resembles a caribou." The pingos are small, cone-shaped hills with hearts of ice that grow from the permafrost of the region. These frozen mounds are formed by the pressure of subterranean water forcing the ground upward -- and yes, there are nearly 1,400 of them in Tuktoyaktuk. Majestic, indeed.

Yukon: Kim Barlow, "Dawson City" (about Dawson City, Yukon)

Her roots are in the dark, cold climate of the Yukon. She balances the blues with an oddly dark, yet optimistic, approach to life. She's got a wry wit with tracks that showcase down-to-earth vocals and a rich, atmospheric sound. She can pull off the bittersweet smile with ease and her quiet style is sure to win over fans of the Canadian folk scene.

Dawson City, Yukon: The first association that should spring to mind is the Gold Rush of the late 19th-century. It was the heart of the rush for American and Canadian prospectors seeking their fortunes and it continues to draw tourists interested in the rich history the city has to offer.

Nunavut: Lucie Idlout, "The Road to Nowhere" (about The Road to Nowhere, Nunavut)

At last, the first rockstar of the list. Idlout lived most of her early life in the High Arctic on North Baffin Island, lands that now fall within the borders of Nunavut. She's got a tough, sharp exterior with a brash voice and kicks it. And heck, her sophomore album is titled Swagger. I mean, I love her already for that alone. She adds some much needed electricity to a list dominated by the folk/roots/alt-country set.

The Road to Nowhere, Nunavut: Yes, there is a road that ends abruptly in Nunavut and has earned the moniker "Road to Nowhere." As you can imagine, it's quite expensive to own a car while living in the northernmost reaches of Canada -- it's difficult to maintain roads in such cold conditions, let alone preserving a car. This road is the subject of numerous jokes as it tends to symbolize the vast government expenditures dumped into the territory upon its creation. It's a road that leads to the tundra and leaves you there in the cold. Ah, what an excellent image to provide for a rocker.

***

Wow, what a Canadian tour-de-force all laid out there. I do believe it's taken me two and a half hours to research and write all of this. I hope you appreciate the effort as much as I had fun looking into it all. Visit the Great Canadian Song Quest player to check out 30-second clips of the winning songs and make sure to check out more of these artists original work.

Oh, Canada -- you are certainly a place to celebrate.

Friday, November 20, 2009

Negotiating the Space Between Beyonce and Lady Gaga

I know -- I'm a little shocked I'm making this post, too.

Beyonce? Lady Gaga? A Duel of the Divas? What the heck are you on about, Miz Moffatt?!

Bear with me on this one. Last night, I saw the highly anticipated video for Beyonce's latest single, "Video Phone," from her album I Am... Sasha Fierce. I think I'm behind on the times, though, and I believe this video has been circulating the Internet for quite some time now. Still, it's taken me awhile to come around to it.

I have to be honest -- Beyonce and Lady Gaga are guilty pleasures of mine. On the one hand, you've got the powerhouse, bold-voiced, full-of-sass Diva. On the other, you've got the eccentric, edgy, "not-sure-if-you're-hot-or-disturbing" Diva. And now, they've decided to share screen time/radio waves with one another.

The end result:



I will be the first to admit that the concept of "Video Phone" is questionable. The alter-ego of an international superstar is advocating for amateur camera play. I mean... that's the gist of the song. All that aside, I do like the sound of the music. It's a little wide-eyed and other-worldly, maybe even a little bit stoned-sounding. Definitely catchy to this blogette right here, even if the content is sketchtastic.

Anyhow, a few observations:
  • Intro: YES. This is what the video SHOULD have been like. I dig the assassin vibe and the whole Reservoir Dogs look of Ms. B's back-ups. Sounds like a showdown which appeals to me. And then....
  • ... The man with the camera head appears. Oh no. And then the gents persist through the rest of the video. If I needed a better reason to be queer, that image alone provided one.
  • Was it just me, or did you get dizzy watching those three Beyonces dancing while the two ghost Beyonces hovered and lip-synched in the background?
  • Question: Why are there so many toy guns throughout the video? I think they must have cleaned out a Toys R' Us for the shoot.
  • Right, I like the military swagger of Beyonce throughout the track. Again, not sure what meaning is held therein, but, well, it illustrates why I like a tough femme.
  • Lady Gaga: She dominates the scene. I know she has a small part in the song/video, but her presence is so much larger than Beyonce's which I was surprised to see. I mean, Lady Gaga has the equivalent of a cameo in this production and she outshines the star. I am sensing even greater things from this woman in the near future, kids.
  • Pin-up Beyonce: A+
  • How awkward is that ending? Would you call that sound panting? A groaning of some kind? It goes on far too long. Actually, scratch that -- it should just not have happened. Ever.
So yes -- mixed reactions abound. And now I must go and nurse the shame I feel for admitting my secret music guilt to the Blogoverse at large. Forgive me. *Sobs*
 
K.3.N.J.I