Showing posts with label inara george. Show all posts
Showing posts with label inara george. Show all posts

Tuesday, March 23, 2010

Tunes for Tuesdays: Queerish Covers

I will state now: this edition of Tunes for Tuesdays is part of an on-going personal project o' mine. And, yes -- I am recruiting the help of readers across the Blogoverse for future editions.

I am hellbent on a specific manifestation of The Cover Song. Now, I know opinions differ when it comes to the nature of cover songs. Some see it as an unoriginal cop-out carried out for profits alone, others see it as a new avenue for creative re-interpretation of an original and respected track. I tend to belong to the latter category (depending on the cover song in question, of course).

But, I digress.

What's the "specific manifestation of The Cover Song" I refer to?

It is none other than the golden, shimmering example of women appropriating the tracks of male musicians while maintaining their original lyrics, thereby rendering the song "Queer." It is a delicious, illuminating creative endeavour I wish more women would experiment with.

Regular readers will recall their first brush with this concept when I explicated (in a wishful, deluded sense) all of KT Tunstall's abundant queer traits and tendencies. You know, despite her well-publicized hetero history. Hey, a girl can dream, am I right? Anyhow, I found three live performances in which Ms. Tunstall covers Bob Dylan's "Tangled Up In Blue," Jackson 5's "I Want You Back," and The Knack's "My Sharona" (performed with Keren Ann).

Each performance featured one refreshing quality -- rather than switching to male pronouns to denote the beloved, Ms. Tunstall kept the original female pronouns. In essence, I discovered KT Tunstall's general hotness increased in relation to her appropriation of a queer stage persona, at least for the length of those cover songs.

So, there is a correlation between female musicians and cover songs where female pronouns are maintained. Trust me. Trust the science.

Here for the aural pleasure of Cute, Queer, Canadians readers, I give you,
Covers with a Queer Edge:

The Bird and The Bee, "Sara Smile"
(Interpreting the Masters Vol. 1: A Tribute to Daryl Hall and John Oates, 2010)
Original: Hall & Oates, Daryl Hall & John Oates, 1975



"When I feel cold, you warm me/And when I feel I can't go on, you come and hold me/It's you and me forever/Sara Smile/Won't you smile a while for me" -- Mmm hmm. And props to Inara George, the sweetheart of the stage, for whirling through another concert while pregnant. She's a trooper. An insanely talented, driven trooper.


Amy Winehouse, "Valerie"
(Mark Ronson's Version, 2007)
Original: The Zutons, Tired of Hanging Around, 2006)



"Cos since I've come on home/Well my body's been a mess/And I've missed your ginger hair/ And the way you like to dress/Won't you come on over/Stop making a fool out of me/ Why don't you come on over Valerie?" Now, I am rather more partial to her acoustic cover of "Valerie." Click the link, be converted. It was the first time I'd heard Amy Winehouse sing and I was floored. And then, I was even more thrilled to find she added such lesbionic elements to a fantastic track.


PJ Harvey and Björk, "(I Can't Get No) Satisfaction"
(Performed at the 1994 Brit Awards)
Original: The Rolling Stones, 1965



YESYESONEHUNDREDTIMEYES. All the awesome was sucked out from the world and injected into this single performance. PJ Harvey and Björk, FTW. I apologize to all other artists who followed these two because nothing could ever attain this level of sheer magnificence again. Never. Not possible.

Oh, and lyrics: "And I'm tryin' to make some girl/Who tells me baby better come back later next week/'Cause you see I'm on losing streak/I can't get no, oh no no no" The song was also covered by the likes of Diana Ross and The Supremes, Aretha Franklin, Cat Power, and Samantha Fox. Though, I have the suspicion these artists might have changed that "girl" to "boy" instead.


Garbage, "Don't Let Me Down"
**Could not find information concerning a single/release**
Original: The Beatles, Let It Be, 1970



Apologies for the rough cut, here. If the sources are correct, this is Edinburgh circa 1999. Serious, though, the information that counts is: Shirley Manson = Unrivaled and Utterly Badass. And yes, capital letters were required to convey that sentiment.

Lyrics: "And from the first time that she really done me/Oh, she done me, she done me good/I guess nobody ever really done me/Oh, she done me, she done me good." Perfection.

***

PARALYMPIC UPDATES:

See, now -- this is what happens when I take a few days off from the Internets. I am greeted with a complete and utter deluge of medal updates and the conclusion to the 2010 Paralympic Games. I need to set those books down every once in a while and not neglect the ol' computer so much. *Snickers at the obvious lie therein* Anyhow -- the final list of medal winners are:
  • Viviane Forest, Alpine Skiing - Women's Super-G, Visually Impaired (Silver, March 19)
  • Lauren Woolstencroft, Alpine Skiing - Women's Super-G, Standing (Gold, March 19)
  • Lauren Woolstencroft, Alpine Skiing - Women's Super Combined, Standing (Gold, March 20)
  • Karolina Wisniewska, Alpine Skiing - Women's Super Combined, Standing (Bronze, March 20)
  • Viviane Forest, Alpine Skiing - Women's Super Combined, Visually Impaired (Silver, March 20)
  • Jim Armstrong, Darryl Neighbour, Ina Forrest, Sonja Gaudet, Bruno Yizek, Wheelchair Curling, Mixed (Gold, March 20)
  • Brian McKeever, Cross-Country Skiing - Men's 1 KM Sprint Classic, Visually Impaired (Gold, March 21)
And so, Team Canada's total medal count at the 2010 Paralympic Games: 19.

In total, Canada brought home 45 MEDALS from the Olympic Games overall. Somehow, I feel "outstanding" is an understatement. I like to think we've shed our usual humble attitudes and proved our athleticism. It's been a great stretch and I'm sad to see it all come to a close.

Meet you back here in two years for the Summer Games for some more eye candy-- I mean, stunning examples of the human spirit to persevere...? Against all odds? Yes?

Tuesday, January 12, 2010

Tunes for Tuesdays: Inara George

Inara George is the absolute embodiment of all that is adorable in this world. I've developed a theory to explain these findings. I believe the Universe must have taken all the sweetness, all the quiet sparks of cute and wrapped it up in dense layers of dreaminess to create Ms. George.

I will not be persuaded otherwise.

She's got a hushed, often melancholic voice that floats so effortlessly through the scenic music she creates. At once she's coy and shy, the next she's tongue-and-cheek and kickin' it with an upbeat tune. Regardless of the attitude, her tracks are atmospheric, almost like little condensed worlds to roll across the tongue. Ha, look at me getting all silly and trying to wax poetic. I can't help it -- she renders me to complete, romanticized mush.

And I love her for it.

Inara George made her break into the mainstream music scene after her cover of Joe Jackson's "Fools in Love" was featured on the Grey's Anatomy soundtrack. I know, it's a tall order to be featured on such a Juggernaut of a television series and still maintain your claim on the indie scene. It's a delicate line that indie singer-songwriters cross. But, Inara George has maintained her distinct, dream-like sound and she revels in albums that blend a refreshing, free-spirited energy with electro-based accents.

Since it's been quite some time between posts for the Tunes for Tuesdays set, I thought I should share two tracks to even the playing field (and to nudge you a little closer to the sugary goodness of Inara George).

Song the First: "Fools Work," All Rise (2006). It's classic Inara George here. It's quiet and reflective with a gorgeous drop of sadness all mixed into a lush soundscape.



Song the Second: "Accidental," Accidental Experiment (2009). I only discovered this evening that Ms. George released a new album in October 2009, so I'm still getting acquainted with the new tracks. She's just as sweet -- I swear, I want to just carry her around in my pocket.



Oh, Inara George. *Floats away on the breeze* If you find yourself smitten, Ms. George's music catalogue doesn't end there. No, no. She's a driven gal and she's the member of numerous music projects at the moment. She's one half of the self-proclaimed "retro-electro" duo The Bird and The Bee; in 2008, she collaborated with Van Dyke Parks and a 24-piece orchestra on An Invitation; she's a member of the band Merrick and the trio The Living Sisters -- AND, you can even find her on YouTube singing "How Deep is Your Love" with perennial queer favourite, Sia.

*Sigh* Well, I know what I'm doing tonight -- Inara George and a world of cartoon hearts, here I come.


 
K.3.N.J.I